With the Emmy nominations out… I decided to scour the internet to find the routines from Season 8 that the choreographers created that earned them the Emmy nominations. Based on the the routines you see below… there is a poll at the bottom where you can choose the choreographer that you’d like to see win the Emmys this year. Keep in mind that Smash also earned an Emmy nomination but since it is not SYTYCD related… I did not include them in this list.
Interesting enough we have representation for:
- Contemporary (Travis Wall / Stacey Tookey)
- Hip Hop (Christopher Scott)
- Broadway (Spencer Liff / NBC’s Smash)
No love for ballroom? Awww… =( But I digress…
First I am going to start with the homegrown SYTYCD alumni: TRAVIS WALL: Dancing with the Stars Episode: Season 14 – Top 8 Results Show (24 April 2012) Style: Contemporary Other Choreographer: Teddy Forance
Thoughts: Travis has yet to create a “mediocre” routine, then again what can be considered as a “mediocre” routine for Travis would be strong routine for other choreographers. He has really grown into his own with developing his skill set and moving outside of the box, going from choreographing partners on SYTYCD and smaller groups to the larger scale routines as show on DWTS last season. Adding in the fly system so that one of the dancers is floating on air just adds more to the routine as opposed to being a gimmick.
Also, it is always nice to sift through the dancers and play “are they from So You Think You Can Dance”? For example I saw Nick Lazzarini, Jaimie Goodwin, Melanie Moore, Ryan Ramirez… the list goes on. If he keeps this up I will be very interested to see what he brings onto the plate in the Off-Broadway production of Bare that he is tapped as choreographer. Not to mention the reality based television series on cable that is rumored to revolve around his new dance company. Read more..
Just Dance catches the So You Think You Can Dance (SYTYCD) Tour on the road and interviews Jess, Ricky, Caitlynn and Clarice! Find out about Marko’s injury, and watch exclusive footage of the opening number and Melanie & Marko’s spicy dance from the show on the road. Video Below
I just got back from interviewing the tour dancers before tonight’s show. It was a lot of fun. They’re all really funny and warm. I got hugs all around as we walked out of the interview room and I’m looking forward to watching the dances.
Marko is still injured so he won’t be dancing tonight. Still, the dancers are hopeful he’ll join them before too long.
Here’s a warning: Some of the dancers’ responses are really soft and I’m kinda loud, especially when I laugh, since the camera was closest to me. I hope I don’t kill your eardrums, but I think you’ll enjoy the dancers’ responses to your questions. Also, I was so entertained by the dancers that I forgot I was interviewing them just a little bit a few times. It was so much fun!
Please send us more as our writers should be interviewing the dancers at different cities along the tour!
AND I forgot to show y’all the picture I took! Here it is: Read more..
whew! what a finale! while we’re all still relishing last night’s amazingness, thought I’d take a minute and post my favorite dances from the season. this was a great chance to look back for me, and, for as much grief as we had with things that we felt were wrong with season 8, it still produced some pretty awesome numbers.
These aren’t in order of preference, just week they were done, mostly b/c I’m cheating and using Wikipedia
Iveta’s intro (ballroom medley with Pasha)–while this wasn’t quite as steamy as last season’s intro of Cristina Santana w/ All-Stars Pasha and Anya, this was, by far, the best ballroom we had this season, mostly because it was Iveta in her style. Caitlynn and Pasha’s Argentine Tango that was replayed last night was soo beautiful and a fabulous showcase for her, but technically, this medley was just unbelievable.
Melanie and Marko’s “Turn to Stone”–on the night of the premiere, this was the only number that made me literally punch the air with excitement. I probably rewatched this number a dozen times over that week. For me, Melanie & Marko are the best pair the show has had since Katee & Joshua. They made each other better dancers, and emotionally they were just totally in sync. The slow cartwheel that Marko does over Melanie still gives me goosebumps.
Caitlynn & Mitchell’s “Turning Tables”–our first chance to see them as a couple and they did NOT disappoint. Stacey Tookey has a way of bringing emotions out of dancers that they may not have touched before. The chairs and lamps could have gotten in the way, but they really worked with them well, and the interplay between light and dark made the piece really interesting and powerful. For what Mitchell lacked in technical refinement, he made up for in pure emotion and drive, and I could tell he had a lot to prove after not being able to dance week 1. I loved this partnership.
Clarice & Jess’s “Fly Me to the Moon” foxtrot–as you all probably saw from my posts, I was NOT Jess’s biggest fan, I found in immature and annoying a lot. But NOT in this number, I loved this one. His broadway background lent itself really well to the jazzy bluesy feel of the song. Though there were quite a few points when they were in closed hold when the movements felt heavy, their musicality overshadowed that for me. It was THIS type of movement I was looking for in Ryan & Ricky’s broadway that they did a couple of weeks after this, when Jesse Tyler Ferguson said they were “hitting the ceiling” with their movements and not finishing them.
Tadd & Jordan’s “One Night Stand” hip hop–just so much fun. really great to see Tadd kind of in his element, and how NappyTabs were able to incorporate some of what Tadd does really well. I agree with the judges that it almost became too much about the story, but this was one that I just really enjoyed watching.
Caitlynn & Mitchell’s “To Love You More” contemporary–one of Mandy Moore’s best pieces this season (I’d put it just behind Neil & Melanie, but I’ll get to that later!) The trust they had in each other was innocent but so mature at the same time. They’re both so young, but they tapped into something really amazing.
Sasha & Alexander’s “That’s Life”–their best dance together, Alexander finally let it all go. He was so tight for so long, but in this one, he just felt free, and it lifted a weight from their partnership that had been there really since the beginning. This was also one of Tyce’s best pieces.
Sasha & Twitch’s “Misty Blue”–what can I say that hasn’t already been said?!
Neil & Melanie’s “Total Eclipse of the Heart”–for me, Neil wins the award for most improved dancer since his season aired. He’s become a really fabulous technician as well as an even better partner. He breathes life into the moments between the movements in a way he didn’t used to when he was on the show. Melanie matched Neil step for step, and really shined in this piece. And the leap!! The trust she had in him was just amazing. This was a goose-bump inducing one for sure.
Caitlynn & Tadd’s “White Tie & Tails” foxtrot–was this the best technically? no. But there was such joy on both of their faces. Jonathan Roberts, a pro from DWTS, really does the classic ballroom dances incredibly well. He has a real sense of how to impart wisdom on the dancers in terms of how to embody the dance even if you don’t quite have everything technically sound. And stylistically, Caitlynn looked AMAZING, wow.
Kent & Sasha’s Wall contemporary–Kent is my runner-up in the “most improved since his season aired” award. The strength that he has gained, both physically and emotionally since last summer is absolutely astounding. He would NOT have been able to pull of that routine the way he did this season last summer. And his strength helped Sasha’s strength and vulnerability really emerge.
Tadd & Melanie’s “A Chorus Line/Black Swan”-esque broadway–though I really liked Chris & Ashley’s “Please Mr. Jailer,” THIS is the broadway I would have rather seen last night. I know why they didn’t repeat it, but this was the best broadway of the season, by far. Nothing felt out of place, from the music to the camera work to the lighting to the dancing. It was so sexy but so mean at the same time, I know that sounds weird. For me, this was Tadd’s best dance other than the vulture dance with Jordan.
Lauren & Marko’s contemporary from finale night–this was my favorite dance from the finale. It started with the music; the fact that the music didn’t have big sweeping crescendos allowed the dancing to be the most important thing on the stage. The dancers could just dance, the music wasn’t ruling the way they moved, THEY ruled the way they moved in their relationship on stage together. Loved it loved it loved it. Tessandra hit the ball out of the park with this one.
so there’s my list! what do you guys think? any that I missed?
Post SYTYCD Season 8 finale interviews with Melanie Moore, Marko Germar, Sasha Mallory, Tadd Gadduang, Nigel Lythgoe, Mary Murphy, Robin Antin and Tyce Diorio. Congratulations to everyone, and to Melanie for being named America’s Favorite Dancer! Video Below
Here are my thoughts on tonight’s episode, live as they happen (after the jump). I hope you’ll add your 2+ cents as well, in the comments below. Let’s get this discussion started!
SOOOO excited that Kristin Chenoweth is the guest judge!!
Looooove Cat’s look tonight, the finger waves in her hair and the flapper dress. But Cat, being Cat, has an adorable personality to match her appearance. She nailed it when she referenced last week’s “brutal, quadruple elimination.” When chaos erupts on SYTYCD, we always have Cat Deely to keep things sane.
It’s good to see Lil C back, too. He made me laugh when he said he’d been a “busy little buckster, maintaining my buccness.” He’s great. AND, did you catch him double dog dare Mr. Producer Lythgoe into booking him for the finale? Would you like to see Lil C as the musical guest?