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Season 8 Tour Review with Pictures!

Hi Everybody,

So I wanted to do a short write-up about the tour (I saw it in Atlanta) and one of our readers sent us a link to her pictures from the Norfolk, VA show. Donna C. must have been on the front row because her pictures are ah-mah-zing! Clearly, her favorites are Melanie and Tadd, but she’s got a lot of great shots of everybody. 🙂 Well, done Donna C. and thanks for sharing them with us!

The tour shows are always high-energy, but Season 8 ramped it up about 100%. I don’t think a single dancer got to stand still for even 5 minutes during the show. Even when they were changing costumes, they must have been hopping and jumping back on stage. It was so much fun and so well-orchestrated that EVEN without the All-Stars and MARKO! it was a fabulous show.

I’d have to say that the best thing about this tour versus other tours I’ve seen is that those cheesy little bits with the dancers talking between routines were limited this time around. In fact, this was the only one, at the beginning (also the only time I can verify that any dancer stood still):

Melanie and Sasha do a little introducing

What they did this go-around was set up big sequences and incorporate several of the best (and new!) routines within the sequences. They would segue between routines with solos.

So, they would have a big group number, then a smaller group or pairs routine (often overlapping, with several couples on stage at once so there was no gap between numbers) and then a solo. Then, we’d have another big group number melting into smaller routines and another solo. It was always high-energy and entertaining. I didn’t feel like *I* had a chance to catch my breath all night, so I don’t know how the dancers did it.

My favorite moments:

-Melanie performed the statue routine on her own since Marko was injured and it was so gorgeous and poignant. She filled the space, but it also felt like she was dancing in his honor. She got a standing ovation in Atlanta (it was a hometown crowd, after all, but it was also spectacular).

-Ricky filled in BEAUTIFULLY for Neil (with Melanie in the “Total Eclipse of the Heart” routine) and also for Kent (with Sasha in the “Fool of Me” wall routine) AND Twitch (with Sasha again in “Misty Blue”). He was so good and not only filled the shoes of the All-Star who originally performed the routines, but made them his own.

-Nick was amazing. It was so good to have him on the tour and see him dance as much as he did.

-Almost all of the solos were awesome! They kept just building in intensity and I could see how much man of them had grown since the beginning of Season 8.

-The whole sequence that began with the wall of bars for “Please, Mr. Jailer” and also had the table on stage at the same time was so inventive and stellar. Some of my favorite routines were in that section of the tour (you’ll see it in the pictures) and there was some new stuff as well.

This may have been one of my favorite tours just for the sheer intensity. I didn’t get to meet and greet with the dancers afterwards due to weather, so I was really glad I got to meet them beforehand (and got all those hugs).

Check out some of my favorite of Donna C.’s pictures below and click here to see the slideshow of her photos.

September 28, 2011 I Written By

So You Think You Can Dance Tour ATL – Interview

Hi everybody!

I just got back from interviewing the tour dancers before tonight’s show. It was a lot of fun. They’re all really funny and warm. I got hugs all around as we walked out of the interview room and I’m looking forward to watching the dances.

Marko is still injured so he won’t be dancing tonight. Still, the dancers are hopeful he’ll join them before too long.

Here’s a warning: Some of the dancers’ responses are really soft and I’m kinda loud, especially when I laugh, since the camera was closest to me. I hope I don’t kill your eardrums, but I think you’ll enjoy the dancers’ responses to your questions. Also, I was so entertained by the dancers that I forgot I was interviewing them just a little bit a few times. It was so much fun!

Please send us more as our writers should be interviewing the dancers at different cities along the tour!

AND I forgot to show y’all the picture I took! Here it is: Read more..

September 21, 2011 I Written By

SYTYCD Tour – Interview the Dancers

Hi everybody!

The SYTYCD Season 8 tour has started and tomorrow will be Atlanta’s turn. Amanda and I will both be there and it looks like we’ll be able to meet with the dancers in the afternoon, before the show, and ask them questions. Including Season 8 winner Melanie, who’s a Marietta girl like me!

SO, is there anything you’d like us to ask them? Let us know!

September 19, 2011 I Written By

Mia Michaels Choreographs Canada’s Top 3 Girls

For those of us who have missed Mia’s choreography from the American show, here is a great video of the Canadian Top 3 Girls routine she choreographed. Enjoy and tell us what you think!

September 7, 2011 I Written By

Open Letter to SYTYCD Producers: How to Fix SYTYCD

Dear SYTYCD Producers,

Here at PureSYTYCD, we’ve had several conversations lately about why ratings, Internet traffic and overall enthusiasm and discussion have been sinking season by season. Margaret says it can be traced to the infamous Fall season, Season 6, when our favorite show started changing swiftly and drastically. While some of the changes have been really amazing (All-Stars), some of them have been just dreadful (yes, I’m going to say it once again – the stage).

So Fox, Nigel, here are OUR pointers for how to fix the show (and readers, please, please add your own in the comments or tell us how you feel about ours and add your voice to the open letter).

1. Keep rotating judges and guest judges – just rotate Nigel right off the panel. We loved the guest judges this season (with the notable exceptions of Carmen Electra and Katie Holmes), especially the fact that we got a rotation of our favorite choreographers on the panel. We’ve learned that static judges are annoying, no matter who they are. Whether it was Nigel, Mary, Mia or Adam, we got tired of hearing the same voices when we already knew what they were going to say. Jean-Marc is a good (pervy) example of this on the Canadian show. However, Nigel almost never rotates out,  so we’re extra tired of him. If you need guest judges to replace him, we’ll make ourselves available. Hey, why not? Fans of the show are good judges, considering the best of the celebrity guest judges were the ones who were clearly fans.

2. Speaking of Nigel, let’s talk about his producing style. While we can’t say we’ve ever produced a show and we can only imagine the numerous concerns involved, we get a little annoyed by Nigel’s heavy-handed pulling-the-puppet-strings style. While we admire that he’s always willing to try new things and some of those new things have really been excellent, the best producing is the kind that doesn’t draw attention to itself. Nigel keeps insisting on shoving the dancers and the show into this perfectly produced package. (Can we talk about how the judges kept the elimination after Top 10 and it was never acknowledged on the show? And how the girls were “beasts” slaying the boys THE WHOLE SEASON, probably to compensate for the Girl Slaughter of Season 7?) Melanie got dubbed America’s Favorite Dancer (by the judges) in the auditions and was never truly challenged or critiqued (by the judges) during the whole season. It could’ve cost Melanie the win she totally deserved if she hadn’t been so adorable and talented. We’re getting tired of Nigel deciding who’s going to win and then trying to make it so. Is it America’s Favorite Dancer or is it Nigel’s Favorite Dancer? Guess which show we’re not going to watch next season?

So how do we fix this, you might ask? John suggests that we need more charismatic dancers who are really good in one style and have to fight to conquer other styles (like Ivan and Russell, who won his season). Marianya says she misses seeing the dancers really challenged at the beginning of the show. Fans of SYTYCD love watching the unexpected partnership and the unexpected dancer struggle and then achieve, making themselves our favorites in the process.

Margaret: Part of what makes those first few weeks so interesting, besides watching partnerships that we really hook into (Melanie & Marko) is wondering how other dancers would work together. If Kayla & Max/Ashley & Kupono hadn’t been in the bottom during week 2 of season 5, Max & Ashley may not have been eliminated at the same time and we wouldn’t have gotten to see the surprisingly great partnership of Kayla & Kupono—which means we wouldn’t have gotten “Addiction” and it’s rated as one of the best numbers the show has ever had, rightly so.

So one way to fix this would be to go back to SYTYCD’s roots. We’ve had some of the most technically gifted dancers the last three seasons and sometimes we could hardly bring ourselves to care because while there was nothing “wrong” with a dancer or a routine, we just couldn’t get excited. This might mean more bad routines and bad dancing but will make us so grateful again for the truly transcendent moments. Which brings us to…

3. We need diversity in dance styles and choreographers. Doreana Sanchez is not the only person choreographing disco routines and Nakul dev Mahajan is not the only Bollywood choreographer. Go to Canada if you don’t believe me. What would happen if there were only one contemporary routine on any given show or maybe only one contemporary routine every few weeks? What if we HAD to depend on Afro Jazz, House, all of the Ballroom styles, Bollywood, Pas de Deux , etc. to fill in the episode?

And for diversity, we don’t even have to look any further than the other SYTYCD franchises. Canada and UK have phenomenal choreographers (and dancers!), as did Australia. Those are just the English-speaking franchises. What wonderful choreographers could we find if the producers imported from the Ukraine SYTYCD or the Turkish or Polish versions?

4. And speaking of one big happy family, why not create another Fall show, but make it different, perhaps a shorter super competition? What if we had SYTYCD SuperStars and all of the previous contestants from ALL of the franchises were eligible to come back and compete for the “World’s Favorite Dancer” title? Maybe this show is 2 episodes a week for only 4 weeks, just to make it special and so that it might not overlap with the World Series again? Dancers featured on SYTYCD don’t have a potential “product” like American Idol singers do when they release a cd, so anytime the producers can create a vehicle for these dancers that doesn’t overshadow the current cast, they’re helping create more of a career and presence for the dancers. The great thing about this idea is that it totally supports this next point…

5. Ditch the musical guests. Or ditch about 90% of them. Keep the 10% that are willing to use SYTYCD dancers for backup dancers (including the current cast! didn’t that happen one season?). Maybe the musical performances bring in money, or maybe you producers only think they do. The reality is, they usually suck and I’m only watching the dancers anyway. It’s like, on Dancing with the Stars, the ONLY reason I watch the musical performances is to catch the dancing that happens at the same time. I would MUCH RATHER see dance performances. It’d be a good time to show us alumni dancers re-dancing their iconic numbers as much more evolved dancers (think Kent and LoFro doing the prom number – it was only 8 months later and they’d already become such different dancers). Bring in performers from all the other SYTYCD franchises, like you did with UK’s recent winner Matt Flint. Pairing him with the all-too-soon-eliminated Nick and Jess in a tap routine that THEY choreographed? BRILLIANT. Easily one of the highlights of not just the finale, but of the season. Do it more. That’s the key to re-building your audience: when you do something we like, do it more. When you do something we don’t like, stop doing it.

6. Which means, bring back the smaller and more intimate stage. Season 8’s stage (or the camera work and lack of distracting backlights) was better than the Seasons 6 and 7 monstrosity, but only by a bit. Watching SYTYCD Canada reminds me of how amazing the original stage is and you really need to listen to us and bring it back. It was a big part of why we fell in love with the show and the Seasons 1-5 dancers. Do you know why? We were closer to them. There were more physical possibilities for the choreographers when it came to moving the dancers around the stage because it wasn’t a giant, uniform thing. When it comes down to it, the stage represents the entire SYTYCD producers vs SYTYCD audience disagreement. With this big uber stage (since S6), you are focusing on the package, the spectacle. The more intimate circle stage that we love and still mourn focuses on the dancers.

Margaret: I miss my stairs! There was something about the old stage and how it was round that made the dances feel like stories, not performances for an audience. We were able to get more closeups, feel the emotions, and the set was about enhancing the dancing, not enhancing the spectacle. My best example came from, oddly, the guy I think used the stage the best during his time with SYTYCD, Wade. With “Ruby Blue,” Brandon and Janette entered the story by popping up from behind a wall and coming down the stairs, and their ability to use the stage in that entrance played a major role in the believability of the movements. But, in Season 6, with the “inside Van Goh’s head” piece Wade did for Peter and Pauline, the ridiculous fractured painting that rotated and flipped on the projecting screen was super distracting and took away from what was actually a really well-danced piece, especially from Peter. It was a very cool routine and they danced it really well, but their technical success was overshadowed by the “overdoneness” of the set.

7. Instead of spending the money on the bigger stage and a lot of flash, we would rather that you spend the money to figure out how to release SYTYCD DVDs so we can re-watch our favorite seasons without resorting to YouTube and other means. There is a market for it, so figure it out. Whenever you focus on the dancers–current, alumni, International franchise dancers, whatever–you can’t go wrong with us. That’s the simple fact at the heart of the matter.

And now that we’ve critiqued you quite a lot, here’s a list of what we like and want you to keep.

1. The All-Stars – having them arrive at the Top 10 is the perfect marriage. Keep it up. Only, we want to see them re-dance their iconic routines and you missed a lot of opportunities to do this during Season 8. Fix that.

Margaret: Not only does this give us the chance to see dancers we love again, but use this as a way to plug their success. Allison & Ivan were All-Stars in the same week, how were they not asked to dance together?! Same with Chelsie & Mark! Those are two of the most successful partnerships, and some of the best personalities, the show has ever had, be proud of that, they are SYTYCD success to the highest degree.

2. The Meet the Top 20 performance – sheer genius. It’s been a highlight of each season you’ve done it. Especially since we get to see the dancers twice on the live show before anyone’s eliminated. Keep that.

3. We like the dancers you pick! We just want you to cut back on the contemporary/jazz and pick some dancers with different backgrounds. We want them to be challenged more and truly judged, all of them and fairly. And clearly they’re talented, because they’re going on to dance in movies, commercials, music videos, music tours, Broadway shows, Glee and DWTS.

Margaret: We also love underdogs, they’re fun to root for. Give us more Tads, Russells, Dominics, Jeanines, Evans, Nicks, even Lauren Froderman floundered her 1st week and was in danger of going home!

4. Cat is the one thing most of us can agree on. She smooths over the awkward moments and she uses her great sense of humor to keep things rolling. I love it when she gets to pick dances for the finale show.

Remember, no matter what, we love the show. We only want to like it again.

Sincerely (and xoxo),

SYTYCD Fans/PureSYTYCD writers

P.S. Sorry this is a little long – clearly we had a lot to say.

September 6, 2011 I Written By

Don’t Cry for Miranda

While we all would’ve liked Miranda to go further on Season 8 of So You Think You Can Dance, I just saw an item on Wetpaint that talks about Miranda’s post-SYTYCD success. She danced with Kanye West recently and is filming a video. She’s been tweeting about all of the good things she’s doing lately. And, in fact, it looks like she’ll be on the Season 8 tour, so we’ll get to see her again real soon.

Has anybody else heard any news about any of the Season 8 dancers?

I Written By

One Dance One Chance Contest

Ovation TV has a pretty cool dance contest coming up where a dance group/class/troupe can win $10,000. Here are the details:

If you enter the contest, let us know in the comments so we can all see your entry and vote for you in the Viewer’s Choice category.

August 25, 2011 I Written By

Ovation TV Is Interviewing Cat – And YOU Can Too!

Ovation TV is interviewing Cat on Saturday and they’d like YOU to send them questions to ask her. Go ahead and submit your must-knows to Ilsa Berg (Iberg at ovationtv dot com) by Friday. Don’t forget, you can also record yourself asking the question and if your question is picked, they’ll show your clip as part of the interview.

Check out their dancer interviews for an idea of what their interview with Cat will be like.

 

 

August 24, 2011 I Written By

SYTYCD Season 8 Finale Part 2 Music

So excited for tonight! I’m going to have to work double hard cause I’ll just want to soak it all in instead of taking notes. 🙂

Sonya Tayeh Top 20/Top 4 (+All-Stars??) Group Routine: District 78’s “Wanna Get Hype” – Wanna Get Hype - Radios At Reception

Mary picked Tyce’s Sasha/Kent routine: Me’Shell Ndegéocello’s “Fool of Me” – Fool of Me - Bitter

Nigel picked Nappytabs’s Melanie/Marko routine: Leona Lewis’s “I Got You” – I Got You - Echo (Deluxe Version)

Robin picked Mandy Moore’s Tadd/LoFro routine: Queen’s “Another One Bites the Dust” –Another One Bites the Dust - Queen: Greatest Hits

Lil C picked Nappytabs’s Miranda/Robert routine: Busta Rhymes’s “Break Ya Neck” – Break Ya Neck - Genesis

Cat picked Tyce’s Top 8 Group Routine: James Newton Howard’s “The Circus Sets Up” The Circus Sets Up - Water for Elephants (Original Motion Picture Soundtrack) – from the Water for Elephants soundtrack.

SYTYCD UK champ Matt Flint, Nick Young and Jess LeProtto tap to: Michael Buble’s “Can’t Buy Me Love” – Can't Buy Me Love - It's Time

Mary picked Mandy Moore’s Melanie/Neil routine: Bonnie Tyler’s “Total Eclipse of the Heart” – Total Eclipse of the Heart - Faster Than the Speed of Night

Jesse picked Sonya’s Marko/Allison routine: Jeff Buckley’s “I Know It’s Over” – I Know It's Over - So Real: Songs from Jeff Buckley

Tyce picked Sonya’s Top 10 Girls routine: Chonique Sneed ft. Lisette Bustamante’s “Pop, Drop and Roll” – Pop Drop & Roll (feat. Lisette Bustamante) - Pop Drop & Roll (feat. Lisette Bustamante) - Single

Lil C picked Spencer Liff’s Ashley/Chris routine: Rachel Sweet’s “Please, Mister Jailer” – Please, Mr. Jailer - Cry-Baby (Music from the Original Motion Picture Soundtrack) from the “Crybaby” soundtrack (THANK YOU BETH!)

Nigel picked Christopher Scott’s Sasha/Twitch routine: Dorothy Moore’s “Misty Blue” – Misty Blue - Misty Blue

Sonya picked Christopher Scott’s Top 10 Guys routine: Nathan Lanier’s “Velocity” – Velocity - Velocity - Single

Jesse picked Miriam and Leonardo’s Caitlynn/Pasha Argentine tango: Orquesta Color Tango’s “Malajunta” – Malajunta - Con Estilo Para Bailar

Mary picked Travis’s Melanie/Marko routine: Ingrid Michaelson’s “Turn to Stone” – Turn to Stone - Turn to Stone - Single

Nigel picked Sonya’s Melanie/Sasha routine: District 78’s “Game On” – Game On - Game On - Single

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