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Open Letter to SYTYCD Producers: How to Fix SYTYCD

Dear SYTYCD Producers,

Here at PureSYTYCD, we’ve had several conversations lately about why ratings, Internet traffic and overall enthusiasm and discussion have been sinking season by season. Margaret says it can be traced to the infamous Fall season, Season 6, when our favorite show started changing swiftly and drastically. While some of the changes have been really amazing (All-Stars), some of them have been just dreadful (yes, I’m going to say it once again – the stage).

So Fox, Nigel, here are OUR pointers for how to fix the show (and readers, please, please add your own in the comments or tell us how you feel about ours and add your voice to the open letter).

1. Keep rotating judges and guest judges – just rotate Nigel right off the panel. We loved the guest judges this season (with the notable exceptions of Carmen Electra and Katie Holmes), especially the fact that we got a rotation of our favorite choreographers on the panel. We’ve learned that static judges are annoying, no matter who they are. Whether it was Nigel, Mary, Mia or Adam, we got tired of hearing the same voices when we already knew what they were going to say. Jean-Marc is a good (pervy) example of this on the Canadian show. However, Nigel almost never rotates out,  so we’re extra tired of him. If you need guest judges to replace him, we’ll make ourselves available. Hey, why not? Fans of the show are good judges, considering the best of the celebrity guest judges were the ones who were clearly fans.

2. Speaking of Nigel, let’s talk about his producing style. While we can’t say we’ve ever produced a show and we can only imagine the numerous concerns involved, we get a little annoyed by Nigel’s heavy-handed pulling-the-puppet-strings style. While we admire that he’s always willing to try new things and some of those new things have really been excellent, the best producing is the kind that doesn’t draw attention to itself. Nigel keeps insisting on shoving the dancers and the show into this perfectly produced package. (Can we talk about how the judges kept the elimination after Top 10 and it was never acknowledged on the show? And how the girls were “beasts” slaying the boys THE WHOLE SEASON, probably to compensate for the Girl Slaughter of Season 7?) Melanie got dubbed America’s Favorite Dancer (by the judges) in the auditions and was never truly challenged or critiqued (by the judges) during the whole season. It could’ve cost Melanie the win she totally deserved if she hadn’t been so adorable and talented. We’re getting tired of Nigel deciding who’s going to win and then trying to make it so. Is it America’s Favorite Dancer or is it Nigel’s Favorite Dancer? Guess which show we’re not going to watch next season?

So how do we fix this, you might ask? John suggests that we need more charismatic dancers who are really good in one style and have to fight to conquer other styles (like Ivan and Russell, who won his season). Marianya says she misses seeing the dancers really challenged at the beginning of the show. Fans of SYTYCD love watching the unexpected partnership and the unexpected dancer struggle and then achieve, making themselves our favorites in the process.

Margaret: Part of what makes those first few weeks so interesting, besides watching partnerships that we really hook into (Melanie & Marko) is wondering how other dancers would work together. If Kayla & Max/Ashley & Kupono hadn’t been in the bottom during week 2 of season 5, Max & Ashley may not have been eliminated at the same time and we wouldn’t have gotten to see the surprisingly great partnership of Kayla & Kupono—which means we wouldn’t have gotten “Addiction” and it’s rated as one of the best numbers the show has ever had, rightly so.

So one way to fix this would be to go back to SYTYCD’s roots. We’ve had some of the most technically gifted dancers the last three seasons and sometimes we could hardly bring ourselves to care because while there was nothing “wrong” with a dancer or a routine, we just couldn’t get excited. This might mean more bad routines and bad dancing but will make us so grateful again for the truly transcendent moments. Which brings us to…

3. We need diversity in dance styles and choreographers. Doreana Sanchez is not the only person choreographing disco routines and Nakul dev Mahajan is not the only Bollywood choreographer. Go to Canada if you don’t believe me. What would happen if there were only one contemporary routine on any given show or maybe only one contemporary routine every few weeks? What if we HAD to depend on Afro Jazz, House, all of the Ballroom styles, Bollywood, Pas de Deux , etc. to fill in the episode?

And for diversity, we don’t even have to look any further than the other SYTYCD franchises. Canada and UK have phenomenal choreographers (and dancers!), as did Australia. Those are just the English-speaking franchises. What wonderful choreographers could we find if the producers imported from the Ukraine SYTYCD or the Turkish or Polish versions?

4. And speaking of one big happy family, why not create another Fall show, but make it different, perhaps a shorter super competition? What if we had SYTYCD SuperStars and all of the previous contestants from ALL of the franchises were eligible to come back and compete for the “World’s Favorite Dancer” title? Maybe this show is 2 episodes a week for only 4 weeks, just to make it special and so that it might not overlap with the World Series again? Dancers featured on SYTYCD don’t have a potential “product” like American Idol singers do when they release a cd, so anytime the producers can create a vehicle for these dancers that doesn’t overshadow the current cast, they’re helping create more of a career and presence for the dancers. The great thing about this idea is that it totally supports this next point…

5. Ditch the musical guests. Or ditch about 90% of them. Keep the 10% that are willing to use SYTYCD dancers for backup dancers (including the current cast! didn’t that happen one season?). Maybe the musical performances bring in money, or maybe you producers only think they do. The reality is, they usually suck and I’m only watching the dancers anyway. It’s like, on Dancing with the Stars, the ONLY reason I watch the musical performances is to catch the dancing that happens at the same time. I would MUCH RATHER see dance performances. It’d be a good time to show us alumni dancers re-dancing their iconic numbers as much more evolved dancers (think Kent and LoFro doing the prom number – it was only 8 months later and they’d already become such different dancers). Bring in performers from all the other SYTYCD franchises, like you did with UK’s recent winner Matt Flint. Pairing him with the all-too-soon-eliminated Nick and Jess in a tap routine that THEY choreographed? BRILLIANT. Easily one of the highlights of not just the finale, but of the season. Do it more. That’s the key to re-building your audience: when you do something we like, do it more. When you do something we don’t like, stop doing it.

6. Which means, bring back the smaller and more intimate stage. Season 8’s stage (or the camera work and lack of distracting backlights) was better than the Seasons 6 and 7 monstrosity, but only by a bit. Watching SYTYCD Canada reminds me of how amazing the original stage is and you really need to listen to us and bring it back. It was a big part of why we fell in love with the show and the Seasons 1-5 dancers. Do you know why? We were closer to them. There were more physical possibilities for the choreographers when it came to moving the dancers around the stage because it wasn’t a giant, uniform thing. When it comes down to it, the stage represents the entire SYTYCD producers vs SYTYCD audience disagreement. With this big uber stage (since S6), you are focusing on the package, the spectacle. The more intimate circle stage that we love and still mourn focuses on the dancers.

Margaret: I miss my stairs! There was something about the old stage and how it was round that made the dances feel like stories, not performances for an audience. We were able to get more closeups, feel the emotions, and the set was about enhancing the dancing, not enhancing the spectacle. My best example came from, oddly, the guy I think used the stage the best during his time with SYTYCD, Wade. With “Ruby Blue,” Brandon and Janette entered the story by popping up from behind a wall and coming down the stairs, and their ability to use the stage in that entrance played a major role in the believability of the movements. But, in Season 6, with the “inside Van Goh’s head” piece Wade did for Peter and Pauline, the ridiculous fractured painting that rotated and flipped on the projecting screen was super distracting and took away from what was actually a really well-danced piece, especially from Peter. It was a very cool routine and they danced it really well, but their technical success was overshadowed by the “overdoneness” of the set.

7. Instead of spending the money on the bigger stage and a lot of flash, we would rather that you spend the money to figure out how to release SYTYCD DVDs so we can re-watch our favorite seasons without resorting to YouTube and other means. There is a market for it, so figure it out. Whenever you focus on the dancers–current, alumni, International franchise dancers, whatever–you can’t go wrong with us. That’s the simple fact at the heart of the matter.

And now that we’ve critiqued you quite a lot, here’s a list of what we like and want you to keep.

1. The All-Stars – having them arrive at the Top 10 is the perfect marriage. Keep it up. Only, we want to see them re-dance their iconic routines and you missed a lot of opportunities to do this during Season 8. Fix that.

Margaret: Not only does this give us the chance to see dancers we love again, but use this as a way to plug their success. Allison & Ivan were All-Stars in the same week, how were they not asked to dance together?! Same with Chelsie & Mark! Those are two of the most successful partnerships, and some of the best personalities, the show has ever had, be proud of that, they are SYTYCD success to the highest degree.

2. The Meet the Top 20 performance – sheer genius. It’s been a highlight of each season you’ve done it. Especially since we get to see the dancers twice on the live show before anyone’s eliminated. Keep that.

3. We like the dancers you pick! We just want you to cut back on the contemporary/jazz and pick some dancers with different backgrounds. We want them to be challenged more and truly judged, all of them and fairly. And clearly they’re talented, because they’re going on to dance in movies, commercials, music videos, music tours, Broadway shows, Glee and DWTS.

Margaret: We also love underdogs, they’re fun to root for. Give us more Tads, Russells, Dominics, Jeanines, Evans, Nicks, even Lauren Froderman floundered her 1st week and was in danger of going home!

4. Cat is the one thing most of us can agree on. She smooths over the awkward moments and she uses her great sense of humor to keep things rolling. I love it when she gets to pick dances for the finale show.

Remember, no matter what, we love the show. We only want to like it again.

Sincerely (and xoxo),

SYTYCD Fans/PureSYTYCD writers

P.S. Sorry this is a little long – clearly we had a lot to say.

September 6, 2011 I Written By

Season 8 Finale Part 1 Thoughts and Discussion

Tonight’s Part 1 of the Season 8 finale. I’m going to post my thoughts live and I hope you’ll join in the discussion. Let us know what you think?

Spoiler space, just in case…

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August 10, 2011 I Written By

SYTYCD Season 8 Finale Part 1 Music

Who knows what tonight’s going to bring? I can’t wait to find out!!

Melanie and Marko danced a Doreana Sanchez disco to: Donna Summer’s “I Feel Love (12″ Version)” – I Feel Love (12

Sasha and All-Star Mark danced a Sonya Tayeh jazz to: Deadmau5’s “Raise Your Weapon” – Raise Your Weapon - 4x4=12 (Deluxe Version)

Tadd and All-Star Joshua danced a Lil C hip hop to: Ace Hood’s “Hustle Hard” – Hustle Hard - Blood Sweat & Tears (Deluxe Edition)

Melanie and All-Star Robert danced a Stacey Tookey contemporary to: Sinead O’Connor’s “Sacrifice” – not on iTunes yet.

Sasha and Marko danced a Spencer Liff Broadway to: Ella Fitzgerald’s “Whatever Lola Wants” – Whatever Lola Wants - Ella Sings Broadway

Melanie danced her solo to: Peter Bradley Adams’s “Song for Viola” – Song for Viola - Leavetaking

Marko danced his solo to: Joshua Radin’s “The Fear You Won’t Fall” – The Fear You Won't Fall - Unclear Sky - EP

Sasha and Tadd danced a Mark Ballas cha cha to: Basement Jaxx’s “Raindrops” – Raindrops - Scars (Bonus Track Version)

Marko and All-Star LoFro danced a Tessandra Chavez contemporary to: Me’Shell Ndegéocello’s “Shirk” – Shirk - The World Has Made Me the Man of My Dreams

Tadd danced his solo to: Jessie J’s “Mamma Knows Best” – Mamma Knows Best - Who You Are

Sasha danced her solo to: Rachael Yamagata’s “Be Be Your Love” – Be Be Your Love - Happenstance (Deluxe Version)

Melanie and Sasha danced a Stacey Tookey contemporary to: Ahn Trio’s “Heart Asks Pleasure First” – Heart Asks Pleasure First - Ahn Trio: Lullaby for My Favorite Insomniac

Marko and Tadd danced a Chuck Maldonado gumboot stepping routine to: Outkast’s “B.O.B.” – B.O.B. - Stankonia

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SYTYCD Season 7 Top 4 Music

Let’s jump right in, since I’m running late from work.

Group number choreographed by Tyce Diorio to “The Crapshooter’s Dance” – The from Guys and Dolls.

Dancer: Lauren Froderman
All-Star: Pasha Kovalev
Style: Tango
Choreographer: Miriam and Leonardo
Song: Astor Piazolla’s “Oblivion” – Oblivion [I was running late and my mom was texting me the song titles of the first 2 songs – she said “steamy obsession” and I assumed that was the song title, lol.]

Dancer: Adechike Torbert
All-Star: Lauren Gottlieb
Style: African jazz
Choreographer: Sean Cheesman
Song: Ralph MacDonald’s “The Pain,” which also isn’t coming on iTunes. Try “Calypso Breakdown” Calypso for now.

Dancer: Robert Roldan
All-Star: Anya Garnis
Style: Viennese Waltz
Choreographer: Jonathan Roberts
Song: Anouk’s “Lost” – Lost

Dance: Kent Boyd
All-Star: Courtney Galliano
Style: Disco
Choreographer: Doreana Sanchez (of course)
Song: David Guetta and Kelly Rowland’s “When Love Takes Over” – When

Dancer: Lauren Froderman
All-Star: Ade Obayami
Style: Jazz
Choreographer: Sean Cheesman
Song: Kosheen’s “Hide U” – Hide [The link is the regular version, not the remix they used on the show]

Dancer: Adechike Torbert
All-Star: Kathryn McCormick
Style: Contemporary?
Choreographer: Desmond Richardson and Dwight Rhoden
Song: Melissa Etheridge’s “Fearless Love” – Fearless

Dancer: Robert Roldan
All-Star: Dominic Sandoval
Style: Hip hop
Choreographer: Nappytabs
Song: Basement Jaxx ft. Kelis, Meleka and Chipmunk’s “Scars” – Scars

Dancer: Kent Boyd
All-Star: Neil Haskell
Style: Contemporary
Choreographer: Travis Wall
Song: DeVotchka’s “How It Ends” – How

You can find all of Season 7’s music here.

August 4, 2010 I Written By

SYTYCD Season 7 Top 7 Performance Thoughts/Power Ranking

Well, this is the first week where predicting tomorrow’s result is easy…but typing it is difficult. Coming to terms with it is difficult.

Top Two

Kent – He had a great night. He really delivered energy and personality (and skillz!) next to Neil. I don’t think he outdanced Neil as Nigel claimed, but he definitely kept up. And he did what I thought was impossible and developed some real chemistry with Adechike in a great male-male contemporary. He’s maturing, but still keeping his personality, which is the right combination with this show. The cheers are so loud while he dances that I don’t know how he hears the music. He’s safe.

Lauren – She gets a lot of flak, but since my only sorta formal dance training is in belly dance, I have to say that the stuff she did in that Tahitian dance is HARD! You have to have incredible core control to do all of the thigh/knee stuff she was doing (she was doing shimmies while crouching, with her legs at different angles! Normally, you take a pretty solid stance when shimming, that would’ve put a lot of strain on her stomach and back, but it was all really smooth.) Not to mention she kept the tail on her costume bumping and that is seriously hard to sustain. The really impressive part is that no part of her body or face was telegraphing how hard she was working to do that. As impressive as I found all of that (I barely looked at Mark and that’s SAYING something), the real winner of the night was her Mandy Moore jazz with Billy. These two should dance together for the rest of their lives. I totally saw what Cat said about Judy Garland/Mickey Rooney. It was so effervescent and fluid and just fun. Loooooved it. Lauren can be really annoying in her interviews, but she continues to impress me with her dancing.

Middle Two

Billy – He’s been getting a lot of flak lately, too, after being a huge early fan favorite. He gained something back tonight he’s been missing for a while. He was so relaxed. He seemed to be enjoying himself – just plain enjoying himself and that brought back the Billy that I love. He had jive with Anya and was a strong, matched partner to her. They had great chemistry, which hasn’t been his strong suit lately. But, of course, the second of his routines, with Lauren, was just incredible, as I mentioned above.

Robert – I think every single one of his fans are going to take nothing for granted and VOTE like crazy to keep him out of the Bottom 3. He’s been there too often. There’s a good chance he’ll be there again, but I think he’ll be saved by Ashley going home due to her injury. As for his routines – I really liked the Travis Wall contemporary, but I think that the judges/producers tried to hard to make an “Emmy moment” out of it because it was about Travis’s mother’s illness and it was so heartfelt. That almost ruined it for me. It was very reminiscent of Tyce’s breast cancer peace, in my opinion. Especially the opening walk of the two characters. I absolutely adored the walk at the end and the symbolism behind it, but while I think it was well-danced by Allison and Robert, I think Travis has deserved an Emmy more with other routines. I’m glad he shared something so personal with us, but I resented being told to feel about it. I felt the same way with Tyce’s breast cancer piece, actually, and liked it more when I saw it on SYTYCD UK with less fanfare. His disco with Kathryn was a lot of fun. It had it’s problem spots but when you consider they probably only had a day or so to practice together, very good.

Bottom Three

Ashley – is in the EXACT same place Alex was last week. The same place Jessica King was in a few years ago. If her injury is what I’ve heard it is… she’s almost 100% going home tonight. Which makes me very, very sad because she quickly became my favorite once the performance shows started.

Adechike – Okay, so Chike hasn’t been getting much love from me. I’ve acknowledged that he’s a great dancer, but I feel that he doesn’t connect to his partners. His salsa with Anya was horrific – even though there were tiny patches that were pretty incredible. However, I *finally* saw what everyone else sees in him when he danced contemporary with Kent. He had chemistry with Kent!! I loooved this Dee Caspary routine. I thought Chike was so comfortable with Kent in the interview and that really played out in their performance. It was the first time I thought he got everything right. However… I think it’s too little too late. It’s only one solid performance in a night with two performances and after a pretty lackluster season. I think there’s gonna be some Chike backlash this week after all the gossip and controversy. I think he’ll be safe though, since Ashley’s almost certainly going home.

Jose – If Ashley weren’t surely going home, I’d bee 98% certain that this was Jose’s week to leave us. He was flat and unimpressive in his Broadway and he disappointed in his own style next to All-Star Dominic. I found the routine entertaining (the breaking), but it wasn’t everything it was built up to be. Just as Jose is not everything he’s been built up to be. Even the judges had to admit, after his Broadway, that he needs training and polish. He needs to layer dance on top of his gymnastics and tricking.

Some last thoughts before I go –

-I looove that Cat is speaking up more about her opinions. Her comments re: Billy and Lauren reminding her of Mickey Rooney and Judy Garland was spot on. 🙂

-I kinda liked the disco tonight and there were lots of crazy hard things in there. But…isn’t there at least one single other disco choreographer in the entire world? I’m very tired of Doreana Sanchez’s choreography. And here’s why – I think the style is already so limited that to have just one choreographer makes it very, very boring. It’s basically all the same routine!! And if there aren’t any other choreographers for disco, maybe that’s a hint that the style is played out. Dry. Done.

-We had a lot of male-male numbers tonight (what with Ashley out and Lauren being the last girl in the race, likely) and they were doozies! Loved Kent and Neil’s baseball routine! As well as Kent and Adechike’s contemporary. The Jose/Dom “battle” was aiiiright. Until they made Dom bow to Jose and I was just.not.cool.with.that. S’okay. We all saw who left with the sword. 🙂

-I think it took changing all the rules for the producers and all of us to realize what we love best about the show. I’m glad we’ve had this mix-up because it’s shown us that bringing back All-Stars and same-gender routines really do work. But it’s also shown us that we really like seeing the contestants grow together in partnerships and that the producers need to be careful not to overproduce = manipulate us. If they can even help it at this point.

– I’m *very* sad I didn’t get to see Ashley dance this week and that she’ll probably be leaving.

-It was a good week for dance, even if Alex wasn’t there. I think a lot of the dancers realized they could actually win and kicked it up a notch this week. It’s a weird season. All the rules changed and now all bets are off.

July 14, 2010 I Written By

SYTYCD S7 Top 7 Performance Music

Here’s hoping there’s some GRRRRRREAT music tonight, as there has been before in the season. With Alex eliminated due to injury last week and Ashley sitting out due to a broken rib tonight, music is pretty much the only thing this season’s got going for it…

Dancer: Lauren Froderman
All-Star: Mark Kanemura
Style: Tahitian dance
Choreographer: Tiana Liufau
Song: Last Voices’ “Jungle” – Jungle

Dancer: Adechike Torbert
All-Star: Anya Garnis
Style: Salsa
Choreographer: Liz Leary
Song: Eddie Palmieri’s “Oyelo Que Te Conviene” – Oyelo

Dancer: Jose Ruiz
All-Star: Courtney Galliano
Style: Broadway
Choreographer: Joey Dowling
Song: John C. Reilly’s “Mister Cellophane” from “Chicago” – Mister

Dancer: Robert Roldan
All-Star: Allison Holker
Style: Travis Wall
Choreographer: Contemporary
Song: Coldplay’s “Fix You” – Fix

Dancer: Billy Bell
All-Star: Anya Garnis
Style: Jive
Choreographer: Louis van Amstel
Song: Meatloaf’s “Paradise By the Dashboard Light” – Paradise

Dancer: Kent Boyd
All-Star: Neil Haskell
Style: Broadway
Choreographer: Tyce Diorio
Song: “Shoeless Joe from Hannibal, Mo” from Damn Yankees – Shoeless

Dancers: Billy Bell and Lauren Froderman
Style: Jazz
Choreographer: Mandy Moore
Song: KC and the Sunshine Band’s “Boogie Shoes” – Boogie

Dancers: Jose Ruiz and Dominic Sandoval
Style: Breakdancing
Choreographer: Nappytabs
Song: District 78’s “Battle for the Beat” – Battle

Dancers: Kent Boyd and Adechike Torbert
Style: Contemporary
Choreographer: Dee Caspary
Song: Tom McRae’s “You Only Disappear” – You

Dancers:Robert and Kathryn (for Ashley)
Style: Disco
Choreographer: Doreana Sanchez
Song: Dan Hartman’s “Instant Replay” – Instant

You can check out all Season 7’s music here.

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SYTYCD Top 8 Performance Thoughts

It’s not that far into the show, but I’m already getting the feeling that the couples I worried about having chemistry aren’t gonna do so badly afterall. My thoughts, as they happened:

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December 8, 2009 I Written By