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Disney’s the Newsies Musical – Bloggers’ Impressions

When the official cast list for Disney’s Newsies the Musical came out, those of us that were fans of the original 1992 movie scoured the cast list for familiar names… and were we pleasantly surprised to find that four of our favorite dancers from various seasons of SYTYCD were part of the cast! Huge favorites like Evan Kasprzak and Alex Wong, as well as those that left too soon like Thayne Jasperson and Jess LeProtto were all listed!

So naturally we here at Pure So You Think You Can Dance went into a group email firestorm and tried to see if we could have a group outing / get together and meet up at the Great White Way to watch the Newsies together… And if by some twist of faith talk to some of the dancers.

In the end only Margaret and myself (Marianya) were able to make the semi-impromptu trip and we have so much to tell you about this gem of a show.

CHOREOGRAPHY
Marianya: OMG The choreography was AMAZING! Not only that but it really seemed to have challenged the dancers to their fullest potentials. The SYTYCD alumni all have special moments throughout the show, be it as a dancer, actor, or singer. The choreography wasn’t just on the stage itself, but all over the staging, elevated… it was thorough and I couldn’t help but tap along with the music. I would go again just to see the dancing. For more of my thoughts of Disney’s the Newsies musical please head on over to my personal blog.

Margaret: The show was choreographed within an inch of its life, and that’s a good thing! A lot of the dancers have said in interviews that Newsies was the first movie they saw for their generation that had guys dancing and singing but still being “dudes”. A lot of them said it helped them see that it was okay to be a guy and like to dance. Everything about the show is full out (it is Disney, after all) and the choreography, with a mix of contemporary but also time period-centric moves, fits beautifully.

THE DANCERS
Anyone that appreciates strong dancing can tell you that one person that will catch your attention and was not a SYTYCD alumni was Ryan Steele who played Specs (he wore glasses). In fact his center was so incredibly precise that the only SYTYCD alumni that could possibly compare was Danny Tidwell of runner up of SYTYCD Season 3 (he is SYTYCD Season 2 runner up Travis Wall’s brother). In fact we went so far to as to say that Ryan Steele would be a combination of Danny Tidwell and SYTYCD Season 7 hopeful Anthony Burrell. In a crazy serendipitous coincidence of SYTYCD connections, Ryan is close friends with Jakob Karr from Season 6! But you’re here for the dancers that were part of the So You Think You Can Dance family:

Alex Wong: Of course, anyone that has been keeping up with So You Think You Can Dance would know and love Alex Wong, and how he sustained an injury to his Achilles tendon that forced him out of the competition. After approximately a year of recuperation he was asked to come back as an All Star for SYTYCD Season 8 only for him to turn it down due to an injury to his other Achilles tendon. Well he has come back from both injuries to dance as if he was never injured to begin with (and mind you these were potential career ending injuries). He was as strong as ever and he looked like he was enjoying himself. His ballet training was evident but so was some of the growth from the time he was on the show. This is his Broadway debut & with such strong dancers throughout the ensemble (many with regional & Broadway credits) he could have easily gotten lost in the shuffle. However, he gets some nice shining moments & his talents are put to good use.

Evan Kasprzak: Dancing a style that he was known for during his season on SYTYCD, it’s amazing to think this is his Broadway debut as well. He is one of the holdovers from the production at Papermill Playhouse this past fall. To say that he has stretched as a performer is an understatement. He has a small bit part in the show and he has a couple of solos in the ensemble numbers. Plus he looks stronger than ever. He shines as a tapper during the rousing “Kings of New York” and gets a fun mini-duet with fellow alum Jess as well.

Thayne Jasperson: He also has a bit part in the second act of the show and he has improved leaps and bounds since his time on SYTYCD. You can tell that his dancing has strengthened quite a bit and his lines are smoother. According to his bio he was on the first national tour of West Side Story in the intervening time. Thayne wasn’t known as a “Broadway” dancer during season 4, but the performance where the judges said he really came alive was a Broadway number, dancing to “Cool” from West Side Story with Comfort. His time to shine is in the 2nd Act and he has some lines as well. He was always remembered as a very graceful dancer, which probably put him at a disadvantage during his season with big personalities like Twitch, Joshua & Mark. But he fits right in on the stage and his dancing has an “umph” and strength to it that wasn’t necessarily apparent when he was on the show.

Jess LeProtto: He’s been on Broadway a few times prior to his time on SYTYCD, and considering that he was just on the show last season there isn’t much to say except how we get a chance to see him in his element now and see his growth since his time on SYTYCD. And did he grow, Jess took a lot of flack during the season for being too much of a ham, and he seems to have reined that in. He and Evan are both “vertically challenged” but they dance as big as their smiles without trying to outdance some of the taller dancers.

After the show, we stood at the stage door in the hopes of getting to meet some of the guys. To our surprise, every one of the cast members came out and signed autographs. They were grateful, courteous to everyone and a pleasure to talk to. Marianya was able to talk to Alex for a bit about hopefully setting up an interview with some of the guys, and Margaret was able to talk to Thayne. They were both so happy to hear that SYTYCD fans were at the show and were definitely interested in sitting down with us, either over the phone or on Skype (gotta love modern technology!) We’ll see what we can set up as we head towards the beginning of season 9!

April 26, 2012 I Written By

My life can be summed up in the following two quotes: 1) "I am married to engineering and am its faithful wife by day, but at night my wanderlust takes hold and the arts becomes my jealous paramour." and... 2) "Engineering is my safety net. Writing is my passion. Acting is my escape when the other two become too much." So where does dancing fit in? Pretty much anywhere at this point... =)

Newsies the Musical – Broadway Opening Night 2012

Newsies the Musical opened on Broadway on March 29, 2012, and Just Dance was there to catch up with the cast and creative team behind the new Disney musical including SYTYCD veterans Alex Wong, Thayne Jasperson and Evan Kasprzak. Video Below 🙂

April 2, 2012 I Written By

www.youtube.com/danceon

SYTYCD Veterans in Newsies the Musical on Broadway

Newsies the Musical is heading to Broadway, and veterans from the FOX competition series SO YOU THINK YOU CAN DANCE (SYTYCD) are taking over! Watch Thayne Jasperson, Evan Kasprzak and Jess LeProtto talk about their road to Broadway in Newsies (Alex Wong is also in the show), which opens on March 15, 2012 for a limited run. Video Below 🙂

February 23, 2012 I Written By

www.youtube.com/danceon

BIG NEWS(ies) scoop!

Happy Monday!! I hope you all had a wonderful President’s Day, and to those of you who got the day off 😛 …only kidding!!

As our resident Broadway queen here at PureSYTYCD, I like to stay up on the latest goings-on in the land of the Great White Way. News pops up every so often that gets me excited about the latest shows opening, but one bit of news nearly gave me a heart attack I was so excited, and it involves some dancers very close to all of our hearts.

Disney’s Newsies the Musical is opening next month, jam packed with amazing choreography & tons of talent, and I nearly fell out of my chair when I saw 4 of the names in the ensemble: THAYNE JASPERSON, EVAN KASPRZAK, JESS LEPROTTO & ALEX (FREAKIN’) WONG!!! That’s right, Broadway is being invaded by SYTYCD!!!

Marianya & I were kidding around…how fun would it be to go to NYC & go see the show? The kidding around turned into…well, we COULD go see the show…so we’re going! We’ll be in NYC April 5-8 & we’re going to see Newsies!! I’m in the process of getting in contact with some people at Disney to see about getting an interview with one (or some of the guys) so if there are any questions you want us to ask them, post them here!! We’re so excited to see the amazing choreography of Newsies & especially to see how Thayne, Jess, Evan & Alex have grown as dancers since their time on SYTYCD.

Also, you guys should check out SMASH on NBC every Monday at 10pm, it’s about the makings of a Broadway show & Spencer Liff, Alex, Ellenore & Thayne have all been featured as dancers! Check it out!

(Spencer is lifting up the bench in the pic below)

February 20, 2012 I Written By

SYTYCD Tour Exclusive – Caitlynn, Ricky, Clarice, Jess, Marko, Melanie

Just Dance catches the So You Think You Can Dance (SYTYCD) Tour on the road and interviews Jess, Ricky, Caitlynn and Clarice! Find out about Marko’s injury, and watch exclusive footage of the opening number and Melanie & Marko’s spicy dance from the show on the road. Video Below 🙂

October 8, 2011 I Written By

www.youtube.com/danceon

So You Think You Can Dance Tour ATL – Interview

Hi everybody!

I just got back from interviewing the tour dancers before tonight’s show. It was a lot of fun. They’re all really funny and warm. I got hugs all around as we walked out of the interview room and I’m looking forward to watching the dances.

Marko is still injured so he won’t be dancing tonight. Still, the dancers are hopeful he’ll join them before too long.

Here’s a warning: Some of the dancers’ responses are really soft and I’m kinda loud, especially when I laugh, since the camera was closest to me. I hope I don’t kill your eardrums, but I think you’ll enjoy the dancers’ responses to your questions. Also, I was so entertained by the dancers that I forgot I was interviewing them just a little bit a few times. It was so much fun!

Please send us more as our writers should be interviewing the dancers at different cities along the tour!

AND I forgot to show y’all the picture I took! Here it is: Read more..

September 21, 2011 I Written By

Open Letter to SYTYCD Producers: How to Fix SYTYCD

Dear SYTYCD Producers,

Here at PureSYTYCD, we’ve had several conversations lately about why ratings, Internet traffic and overall enthusiasm and discussion have been sinking season by season. Margaret says it can be traced to the infamous Fall season, Season 6, when our favorite show started changing swiftly and drastically. While some of the changes have been really amazing (All-Stars), some of them have been just dreadful (yes, I’m going to say it once again – the stage).

So Fox, Nigel, here are OUR pointers for how to fix the show (and readers, please, please add your own in the comments or tell us how you feel about ours and add your voice to the open letter).

1. Keep rotating judges and guest judges – just rotate Nigel right off the panel. We loved the guest judges this season (with the notable exceptions of Carmen Electra and Katie Holmes), especially the fact that we got a rotation of our favorite choreographers on the panel. We’ve learned that static judges are annoying, no matter who they are. Whether it was Nigel, Mary, Mia or Adam, we got tired of hearing the same voices when we already knew what they were going to say. Jean-Marc is a good (pervy) example of this on the Canadian show. However, Nigel almost never rotates out,  so we’re extra tired of him. If you need guest judges to replace him, we’ll make ourselves available. Hey, why not? Fans of the show are good judges, considering the best of the celebrity guest judges were the ones who were clearly fans.

2. Speaking of Nigel, let’s talk about his producing style. While we can’t say we’ve ever produced a show and we can only imagine the numerous concerns involved, we get a little annoyed by Nigel’s heavy-handed pulling-the-puppet-strings style. While we admire that he’s always willing to try new things and some of those new things have really been excellent, the best producing is the kind that doesn’t draw attention to itself. Nigel keeps insisting on shoving the dancers and the show into this perfectly produced package. (Can we talk about how the judges kept the elimination after Top 10 and it was never acknowledged on the show? And how the girls were “beasts” slaying the boys THE WHOLE SEASON, probably to compensate for the Girl Slaughter of Season 7?) Melanie got dubbed America’s Favorite Dancer (by the judges) in the auditions and was never truly challenged or critiqued (by the judges) during the whole season. It could’ve cost Melanie the win she totally deserved if she hadn’t been so adorable and talented. We’re getting tired of Nigel deciding who’s going to win and then trying to make it so. Is it America’s Favorite Dancer or is it Nigel’s Favorite Dancer? Guess which show we’re not going to watch next season?

So how do we fix this, you might ask? John suggests that we need more charismatic dancers who are really good in one style and have to fight to conquer other styles (like Ivan and Russell, who won his season). Marianya says she misses seeing the dancers really challenged at the beginning of the show. Fans of SYTYCD love watching the unexpected partnership and the unexpected dancer struggle and then achieve, making themselves our favorites in the process.

Margaret: Part of what makes those first few weeks so interesting, besides watching partnerships that we really hook into (Melanie & Marko) is wondering how other dancers would work together. If Kayla & Max/Ashley & Kupono hadn’t been in the bottom during week 2 of season 5, Max & Ashley may not have been eliminated at the same time and we wouldn’t have gotten to see the surprisingly great partnership of Kayla & Kupono—which means we wouldn’t have gotten “Addiction” and it’s rated as one of the best numbers the show has ever had, rightly so.

So one way to fix this would be to go back to SYTYCD’s roots. We’ve had some of the most technically gifted dancers the last three seasons and sometimes we could hardly bring ourselves to care because while there was nothing “wrong” with a dancer or a routine, we just couldn’t get excited. This might mean more bad routines and bad dancing but will make us so grateful again for the truly transcendent moments. Which brings us to…

3. We need diversity in dance styles and choreographers. Doreana Sanchez is not the only person choreographing disco routines and Nakul dev Mahajan is not the only Bollywood choreographer. Go to Canada if you don’t believe me. What would happen if there were only one contemporary routine on any given show or maybe only one contemporary routine every few weeks? What if we HAD to depend on Afro Jazz, House, all of the Ballroom styles, Bollywood, Pas de Deux , etc. to fill in the episode?

And for diversity, we don’t even have to look any further than the other SYTYCD franchises. Canada and UK have phenomenal choreographers (and dancers!), as did Australia. Those are just the English-speaking franchises. What wonderful choreographers could we find if the producers imported from the Ukraine SYTYCD or the Turkish or Polish versions?

4. And speaking of one big happy family, why not create another Fall show, but make it different, perhaps a shorter super competition? What if we had SYTYCD SuperStars and all of the previous contestants from ALL of the franchises were eligible to come back and compete for the “World’s Favorite Dancer” title? Maybe this show is 2 episodes a week for only 4 weeks, just to make it special and so that it might not overlap with the World Series again? Dancers featured on SYTYCD don’t have a potential “product” like American Idol singers do when they release a cd, so anytime the producers can create a vehicle for these dancers that doesn’t overshadow the current cast, they’re helping create more of a career and presence for the dancers. The great thing about this idea is that it totally supports this next point…

5. Ditch the musical guests. Or ditch about 90% of them. Keep the 10% that are willing to use SYTYCD dancers for backup dancers (including the current cast! didn’t that happen one season?). Maybe the musical performances bring in money, or maybe you producers only think they do. The reality is, they usually suck and I’m only watching the dancers anyway. It’s like, on Dancing with the Stars, the ONLY reason I watch the musical performances is to catch the dancing that happens at the same time. I would MUCH RATHER see dance performances. It’d be a good time to show us alumni dancers re-dancing their iconic numbers as much more evolved dancers (think Kent and LoFro doing the prom number – it was only 8 months later and they’d already become such different dancers). Bring in performers from all the other SYTYCD franchises, like you did with UK’s recent winner Matt Flint. Pairing him with the all-too-soon-eliminated Nick and Jess in a tap routine that THEY choreographed? BRILLIANT. Easily one of the highlights of not just the finale, but of the season. Do it more. That’s the key to re-building your audience: when you do something we like, do it more. When you do something we don’t like, stop doing it.

6. Which means, bring back the smaller and more intimate stage. Season 8’s stage (or the camera work and lack of distracting backlights) was better than the Seasons 6 and 7 monstrosity, but only by a bit. Watching SYTYCD Canada reminds me of how amazing the original stage is and you really need to listen to us and bring it back. It was a big part of why we fell in love with the show and the Seasons 1-5 dancers. Do you know why? We were closer to them. There were more physical possibilities for the choreographers when it came to moving the dancers around the stage because it wasn’t a giant, uniform thing. When it comes down to it, the stage represents the entire SYTYCD producers vs SYTYCD audience disagreement. With this big uber stage (since S6), you are focusing on the package, the spectacle. The more intimate circle stage that we love and still mourn focuses on the dancers.

Margaret: I miss my stairs! There was something about the old stage and how it was round that made the dances feel like stories, not performances for an audience. We were able to get more closeups, feel the emotions, and the set was about enhancing the dancing, not enhancing the spectacle. My best example came from, oddly, the guy I think used the stage the best during his time with SYTYCD, Wade. With “Ruby Blue,” Brandon and Janette entered the story by popping up from behind a wall and coming down the stairs, and their ability to use the stage in that entrance played a major role in the believability of the movements. But, in Season 6, with the “inside Van Goh’s head” piece Wade did for Peter and Pauline, the ridiculous fractured painting that rotated and flipped on the projecting screen was super distracting and took away from what was actually a really well-danced piece, especially from Peter. It was a very cool routine and they danced it really well, but their technical success was overshadowed by the “overdoneness” of the set.

7. Instead of spending the money on the bigger stage and a lot of flash, we would rather that you spend the money to figure out how to release SYTYCD DVDs so we can re-watch our favorite seasons without resorting to YouTube and other means. There is a market for it, so figure it out. Whenever you focus on the dancers–current, alumni, International franchise dancers, whatever–you can’t go wrong with us. That’s the simple fact at the heart of the matter.

And now that we’ve critiqued you quite a lot, here’s a list of what we like and want you to keep.

1. The All-Stars – having them arrive at the Top 10 is the perfect marriage. Keep it up. Only, we want to see them re-dance their iconic routines and you missed a lot of opportunities to do this during Season 8. Fix that.

Margaret: Not only does this give us the chance to see dancers we love again, but use this as a way to plug their success. Allison & Ivan were All-Stars in the same week, how were they not asked to dance together?! Same with Chelsie & Mark! Those are two of the most successful partnerships, and some of the best personalities, the show has ever had, be proud of that, they are SYTYCD success to the highest degree.

2. The Meet the Top 20 performance – sheer genius. It’s been a highlight of each season you’ve done it. Especially since we get to see the dancers twice on the live show before anyone’s eliminated. Keep that.

3. We like the dancers you pick! We just want you to cut back on the contemporary/jazz and pick some dancers with different backgrounds. We want them to be challenged more and truly judged, all of them and fairly. And clearly they’re talented, because they’re going on to dance in movies, commercials, music videos, music tours, Broadway shows, Glee and DWTS.

Margaret: We also love underdogs, they’re fun to root for. Give us more Tads, Russells, Dominics, Jeanines, Evans, Nicks, even Lauren Froderman floundered her 1st week and was in danger of going home!

4. Cat is the one thing most of us can agree on. She smooths over the awkward moments and she uses her great sense of humor to keep things rolling. I love it when she gets to pick dances for the finale show.

Remember, no matter what, we love the show. We only want to like it again.

Sincerely (and xoxo),

SYTYCD Fans/PureSYTYCD writers

P.S. Sorry this is a little long – clearly we had a lot to say.

September 6, 2011 I Written By

my favorite season 8 dances

whew! what a finale! while we’re all still relishing last night’s amazingness, thought I’d take a minute and post my favorite dances from the season. this was a great chance to look back for me, and, for as much grief as we had with things that we felt were wrong with season 8, it still produced some pretty awesome numbers.

These aren’t in order of preference, just week they were done, mostly b/c I’m cheating and using Wikipedia 😉

Iveta’s intro (ballroom medley with Pasha)–while this wasn’t quite as steamy as last season’s intro of Cristina Santana w/ All-Stars Pasha and Anya, this was, by far, the best ballroom we had this season, mostly because it was Iveta in her style. Caitlynn and Pasha’s Argentine Tango that was replayed last night was soo beautiful and a fabulous showcase for her, but technically, this medley was just unbelievable.

Melanie and Marko’s “Turn to Stone”–on the night of the premiere, this was the only number that made me literally punch the air with excitement. I probably rewatched this number a dozen times over that week. For me, Melanie & Marko are the best pair the show has had since Katee & Joshua. They made each other better dancers, and emotionally they were just totally in sync. The slow cartwheel that Marko does over Melanie still gives me goosebumps.

Caitlynn & Mitchell’s “Turning Tables”–our first chance to see them as a couple and they did NOT disappoint. Stacey Tookey has a way of bringing emotions out of dancers that they may not have touched before. The chairs and lamps could have gotten in the way, but they really worked with them well, and the interplay between light and dark made the piece really interesting and powerful. For what Mitchell lacked in technical refinement, he made up for in pure emotion and drive, and I could tell he had a lot to prove after not being able to dance week 1. I loved this partnership.

Clarice & Jess’s “Fly Me to the Moon” foxtrot–as you all probably saw from my posts, I was NOT Jess’s biggest fan, I found in immature and annoying a lot. But NOT in this number, I loved this one. His broadway background lent itself really well to the jazzy bluesy feel of the song. Though there were quite a few points when they were in closed hold when the movements felt heavy, their musicality overshadowed that for me. It was THIS type of movement I was looking for in Ryan & Ricky’s broadway that they did a couple of weeks after this, when Jesse Tyler Ferguson said they were “hitting the ceiling” with their movements and not finishing them.

Tadd & Jordan’s “One Night Stand” hip hop–just so much fun. really great to see Tadd kind of in his element, and how NappyTabs were able to incorporate some of what Tadd does really well. I agree with the judges that it almost became too much about the story, but this was one that I just really enjoyed watching.

Caitlynn & Mitchell’s “To Love You More” contemporary–one of Mandy Moore’s best pieces this season (I’d put it just behind Neil & Melanie, but I’ll get to that later!) The trust they had in each other was innocent but so mature at the same time. They’re both so young, but they tapped into something really amazing.

Sasha & Alexander’s “That’s Life”–their best dance together, Alexander finally let it all go. He was so tight for so long, but in this one, he just felt free, and it lifted a weight from their partnership that had been there really since the beginning. This was also one of Tyce’s best pieces.

Sasha & Twitch’s “Misty Blue”–what can I say that hasn’t already been said?!

Neil & Melanie’s “Total Eclipse of the Heart”–for me, Neil wins the award for most improved dancer since his season aired. He’s become a really fabulous technician as well as an even better partner. He breathes life into the moments between the movements in a way he didn’t used to when he was on the show. Melanie matched Neil step for step, and really shined in this piece. And the leap!! The trust she had in him was just amazing. This was a goose-bump inducing one for sure.

Caitlynn & Tadd’s “White Tie & Tails” foxtrot–was this the best technically? no. But there was such joy on both of their faces. Jonathan Roberts, a pro from DWTS, really does the classic ballroom dances incredibly well. He has a real sense of how to impart wisdom on the dancers in terms of how to embody the dance even if you don’t quite have everything technically sound. And stylistically, Caitlynn looked AMAZING, wow.

Kent & Sasha’s Wall contemporary–Kent is my runner-up in the “most improved since his season aired” award. The strength that he has gained, both physically and emotionally since last summer is absolutely astounding. He would NOT have been able to pull of that routine the way he did this season last summer. And his strength helped Sasha’s strength and vulnerability really emerge.

Tadd & Melanie’s “A Chorus Line/Black Swan”-esque broadway–though I really liked Chris & Ashley’s “Please Mr. Jailer,” THIS is the broadway I would have rather seen last night. I know why they didn’t repeat it, but this was the best broadway of the season, by far. Nothing felt out of place, from the music to the camera work to the lighting to the dancing. It was so sexy but so mean at the same time, I know that sounds weird. For me, this was Tadd’s best dance other than the vulture dance with Jordan.

Lauren & Marko’s contemporary from finale night–this was my favorite dance from the finale. It started with the music; the fact that the music didn’t have big sweeping crescendos allowed the dancing to be the most important thing on the stage. The dancers could just dance, the music wasn’t ruling the way they moved, THEY ruled the way they moved in their relationship on stage together. Loved it loved it loved it. Tessandra hit the ball out of the park with this one.

so there’s my list! what do you guys think? any that I missed?

August 13, 2011 I Written By

SYTYCD Season 8 Finale Part 2 Music

So excited for tonight! I’m going to have to work double hard cause I’ll just want to soak it all in instead of taking notes. 🙂

Sonya Tayeh Top 20/Top 4 (+All-Stars??) Group Routine: District 78’s “Wanna Get Hype” – Wanna Get Hype - Radios At Reception

Mary picked Tyce’s Sasha/Kent routine: Me’Shell Ndegéocello’s “Fool of Me” – Fool of Me - Bitter

Nigel picked Nappytabs’s Melanie/Marko routine: Leona Lewis’s “I Got You” – I Got You - Echo (Deluxe Version)

Robin picked Mandy Moore’s Tadd/LoFro routine: Queen’s “Another One Bites the Dust” –Another One Bites the Dust - Queen: Greatest Hits

Lil C picked Nappytabs’s Miranda/Robert routine: Busta Rhymes’s “Break Ya Neck” – Break Ya Neck - Genesis

Cat picked Tyce’s Top 8 Group Routine: James Newton Howard’s “The Circus Sets Up” The Circus Sets Up - Water for Elephants (Original Motion Picture Soundtrack) – from the Water for Elephants soundtrack.

SYTYCD UK champ Matt Flint, Nick Young and Jess LeProtto tap to: Michael Buble’s “Can’t Buy Me Love” – Can't Buy Me Love - It's Time

Mary picked Mandy Moore’s Melanie/Neil routine: Bonnie Tyler’s “Total Eclipse of the Heart” – Total Eclipse of the Heart - Faster Than the Speed of Night

Jesse picked Sonya’s Marko/Allison routine: Jeff Buckley’s “I Know It’s Over” – I Know It's Over - So Real: Songs from Jeff Buckley

Tyce picked Sonya’s Top 10 Girls routine: Chonique Sneed ft. Lisette Bustamante’s “Pop, Drop and Roll” – Pop Drop & Roll (feat. Lisette Bustamante) - Pop Drop & Roll (feat. Lisette Bustamante) - Single

Lil C picked Spencer Liff’s Ashley/Chris routine: Rachel Sweet’s “Please, Mister Jailer” – Please, Mr. Jailer - Cry-Baby (Music from the Original Motion Picture Soundtrack) from the “Crybaby” soundtrack (THANK YOU BETH!)

Nigel picked Christopher Scott’s Sasha/Twitch routine: Dorothy Moore’s “Misty Blue” – Misty Blue - Misty Blue

Sonya picked Christopher Scott’s Top 10 Guys routine: Nathan Lanier’s “Velocity” – Velocity - Velocity - Single

Jesse picked Miriam and Leonardo’s Caitlynn/Pasha Argentine tango: Orquesta Color Tango’s “Malajunta” – Malajunta - Con Estilo Para Bailar

Mary picked Travis’s Melanie/Marko routine: Ingrid Michaelson’s “Turn to Stone” – Turn to Stone - Turn to Stone - Single

Nigel picked Sonya’s Melanie/Sasha routine: District 78’s “Game On” – Game On - Game On - Single

I Written By