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SYTYCD Top 4

Top 4.  Everyone has made their predictions so I may as well throw mine into the ring as well.  I think that it’s going to come down to either Vincent or Tara Jean.  But now I’ve probably jinxed them.

Final 4

The first piece was with all of the top 4- it  was a fatastic throwback to a sort of lounge act where the girls are gals and the men are fellas.  It was crisp and sexy and I loved it!

The boys:

Their hiphop routine was great as well.  Everyone is clearly really stepping up their game as we round the last corner on the competition.  Both the guys totally pulled the piece of.  Again it seems that everyone is peaking at exactly the right time.

Everett and Jayme Rae

This is exactly why I shouldn’t predict the Final 2 because after that performance with Jayme Rae and Everett- now I think that one of them might have it.  Let’s face it, Jayme Rae is so sexy when she dances, and Everett has this ease about his movement that is impossible to teach.  I’m confused again- but these two are just enormous talents on the stage.

Tara Jean and Jayme Rae

This piece was cute.  It didn’t really blow me away like I had hoped that girl and girl piece would but I guess I was expecting a contemporary piece and for it to be really moving.  Plus there can’t be any lifts or tricks when it’s 2 girls.  Although it could be fairly argued that those cartwheels in the heels were a feat unto themselves.  Still I was left wanting a little more something.

Tara Jean and Vincent

Disco is tough to pull of and I think that they got it about 90%.  It could have been a little faster- but all in all it was another great piece..

I’m looking forward to  seeing who will take home the prize-but they are all equally deserving.

Good Luck!

October 21, 2009 I Written By

SYTYCD Top 6 Choreography Critiques

Top 6 already??  Seriously?  I don’t know how it happened.

Mary Murphy as guest judge- this should be interesting, at least it will give the judges some more energy while doing the judging.

Vincent/Tara Jean
Salsa

This piece was great.  I think that Tara Jean was the star of that piece, but that might be because she was wearing very little and managed to land some amazing lifts.  On the other hand- Vincent was terrific as well.  I love the idea that Salsa can be updated and young while still holding its technical merits.

Everett/Melanie
Jazz/Rock

I was totally underwhelmed by this piece.  It felt forced and awkward the whole way through.  The music was loud and annoying.   They are so much better than this piece showed them to be.  And that lift over the head- I think that might have been the most awkward, un-attracted and un-stable lift I’ve seen on this program.  People won’t remember this piece.

Emanuel/Jayme Rae
Quickstep

It’s either going to be magical or horrific.  There is no middle ground in the Quickstep.  This just wasn’t good enough- the Quickstep has to have a fluidity to it and they both were quite stiff and uncomfortable looking.  As Mary said- the open work was fun to watch, but those steps and choreography weren’t Quickstep moves.  I don’t believe that axels are usually seen in a Quickstep.  I hope that Emanuel does better in the next piece- because he might be in trouble based on that piece.

It seems to me that the judges in Canada are much more leniant than the judges on the American version of the show.  I wonder why that is because if Nigel was reviewing that piece he wouldn’t have had nice things to say like Jean-Marc did.

Vincent/Tara Jean
Contemporary

This piece is why people dance.  It was as full of emotion and connection as it was with movement.  Neither Vincent or Tara Jean out-danced one another.  It was all about the moment.  No special lights, no elaborate costumes were necessary.  They put it all on the stage with such courage and beauty.  I’m amazed.

Everett/Melanie
Hiphop

It’s difficult to go from such a tender piece to a hard hitting hiphop however this piece was well executed.  The connected pieces were well done, and they pulled off the dirty-ness that was needed to bring the steps to life.  It was fun and totally convincing.

Emanuel/Jayme Rae
JazzFunk

I liked this piece- but I’m always nervous about a piece that was too many props involved.  I think that Jayme Rae out-danced Emanuel this time.  I keep getting distracted by Emanuel’s facial expressions but maybe it’s just me.  It was really really sexy, but I guess I just didn’t really believe it.

October 13, 2009 I Written By

SYTYCD Top 8

I’m not over the fact that Canada got it wrong when it came to the guys vote last week.  Austin should have stayed at home.  But nevertheless we press on to the top 8!

First observation: I want to be Mia Michael- what a gorgeous mama with the shaved head.  Hot Hot Hot.

Boys Dance:
This piece was really well choreographed by some guys definitely were out-danced by others.  There is a reason that Emanuel was in the back-he wasn’t as clean or seeming comfortable enough with the choreography.  Although he does have a sprained ankle – so I’ll lay off a bit.  I did love the fact that it was a ‘manly’ piece with great music.

Tara Jean/Vincent
Rumba

I was in that piece.  It was an innocent love that had moments of sexyness in it.  I thought that they were totally in the music and into to each other.  It was just a beautiful piece.  I’m jealous of Vincent’s feet.  Always beautifully pointed.

Kim and Cody
Hiphop

I guess that SYTYCD Canada has a deep seeded love affair with old school style hiphop.  What about lyrical??  It was good they were both good.  Didn’t move me or do anything that we haven’t seen before.  I’m just bored with the hiphop.

Melanie/Emanuel
Contemporary

The judges are going to rave about this piece.  I thought that there were nice moments in the piece but as a whole it didn’t move me the way that contemporary usually does.  People have been commenting about something looking off with Emanuel’s chest, I think that because his legs are so long it makes him look shrunken up top.  That was noticeable to me in this piece.  I just didn’t think that there was much genuine in this piece.  I didn’t really believe that they were together.  I guess I was wrong- the judges didn’t rave.


Jayme Rae/Everett
Mambo

I think that it’s because Everett is a tap dancer he has this organic level to him that makes him even compete with Jayme Rae and her falling-apart costume.  Jayme Rae is just this dirty hot thing who may not like to be in the follow position but she is in total charge of her hips.  It was a great piece.  It just shows the audience that you have to be ‘in’ the piece for us to love it.

Top 4 girls

Loved it!  Sexy in a vintage kind of way.  It was great and classic.

Vincent/Tara Jean
Krump

Lil C!  this was good, although Vincent got lost compared to Tara Jean.  He just wasn’t hitting it hard enough.  But he is such a good dancer, it almost didn’t even matter.  He was 90% there.

Kim/Cody
Smooth Waltz

It was lovely.  The choreography was.  The dancing itself just wasn’t really flowing.  They were uncomfortable in the piece and it showed.  People on the moon could see how awkward it was.  It was lovely but terribly uncomfortable.


Melanie/Emanuel
Disco

I didn’t like this piece.  It had zero rhythm and even though Disco is so hard to dance and pull off, it shouldn’t look as hard as it did.  Also, for Emanuel being in this God-like shape he should be throwing her around that stage with no problems or effort.  The whole seemed way to heavy.  Emanuel might be in trouble.

Jayme Rae/Everett
Jazz Funk

Now that is what Jazz/Funk’s definition is.  The characters were fantastic and believable.  The movement was crisp and clean throughout.  The timing was spot on. The connection between Jayme Rae and Everett was totally on point.  I loved this piece!

It definitely ended on a high note..  I can’t imagine who will be going home.  Should be interesting!

October 6, 2009 I Written By

SYTYCD Canada Top 10 Critiques

SYTYCD Top 10

I can’t believe that we are already down to half of the dancers.  This week we get to judge individually:

Vincent and Melanie
Paso Doble

I thought that this piece was great!  Part of the trouble with the Paso Doble is that something it can seem so serious and full of back story, instead this piece was like vampires dancing.  It was Hot! Hot! Hot!  the moves were really speedy but feet were pointed and their were super fast retractions.  And the lift??  Forget about it… Just amazing!

Cody and Amy
Stacey Tookey
Contemporary

Just beautiful.  This piece proves that you don’t need super huge tricks to show beautiful dancers.  Cody was incredible and step up- I think that this was the first time I’ve seen him as a ‘man’ dancer.  Especially coming out of hiphop.  Amy was good- but she didn’t shine that way that she really should have seeing as this was her discipline of dance. So far we are 2/2!

Emanuel and Tara-Jean
Tony and Melanie
Samba

I liked this piece.  I loved the music- I loved the feel of it.  Tara-Jean was great as was Emanuel however he needs to watch his face because it contorts or his tongue is out.  His feet are a little sloppy, but for Tara Jean seemed totally natural.  I liked it.  Emanuels hips need their own phone number- good gracious!

Everett and Kim
Jazz Fusion

This piece was great as well, however it didn’t really feel like anything new and that was disappointing to me.  But I did like the pairing of Kim and Everett a lot.  They really had to play a whole different person.  Blake just said that was the best performance of the night? And Tre said of the season??  Come on- that’s a little extreme.

Austin and Jayme Rae
Hiphop
ShoTyme

I really love Austin.  I think that he is by far the best male dancer and I also love Jayme Rae.  They are both no joke on hte floor.  I believe the piece as much as you possibly can.  But ShoTyme always seems to keep his dancers so far away from eachother.  That is getting old to me.

I think that that was the strongest show so far!

September 30, 2009 I Written By

SYTYCD Canada Top 12 Choreography Critiques

SYTYCD TOP 12

Tara-Jean and Everett
Sean Cheesman
Theatre (Tap)

Wow a tap piece… OK- so I know it’s only the first piece in, but I seriously don’t know how it can get any better.  Tap is no joke.  The idea that Tara-Jean could pick up a whole new genre in such a short period of time is un-believable.  The energy was up, the lifts were dangerous and fast and perfect.  It was the most fun and pure performance that was just happiness on taps that I’ve seen in some time.  That piece brought them out of the obscure and into the spotlight.

Melanie and Cody
Melissa Williams
Jazz

This piece was good, although I’m starting to realise that my idea of jazz isn’t what I think is jazz- because to me that piece was contemporary through and through.  Melanie is fantastic, she completely transforms for every piece.  I didn’t feel like Cody really stood a chance, his outfit was completely boring and un-inspired- but I loved his performance.  He was completely there for his partner and seemed much stronger than we’ve seen him.

Austin and Corynne
Salsa
Tony Meredith and Melanie LaPatin

I promise that I’m not just saying this because I think that Austin is amazing – but. Austin could have been in a paper bag and out danced Corynne.  Mia was correct – Corynne didn’t think that she was sexy at all; her moves were completely forced and totally unnatural.  I didn’t even notice that she was there the whole time.  Austin is flawless- he is strong and confident as a dancer and I feel like he is conscious of every part of his body.

Emanuel and Kim
Hip Hop
Luther Brown

I think that Emanuel caught the same disease as Corynne.  He was completely not believable.  This was probably the most perversely sexual piece, and I didn’t see it between Emanuel and Kim.  Kim totally out danced Emanuel and it seemed like she wasn’t even trying.  She is dirty and raw and just feels really organic in her sleazy-ness.  On a side note- the nose ring Emanuel?  Really? Emanuel just didn’t hit the moves hard enough – I think he needed a swagger lesson.

Jayme Rae and Daniel
Blake McGrath
Contemporary

I liked this piece, but I wasn’t as blown away the way that I usually am with Blake’s pieces.  I didn’t really get the story behind the story, and it bugged me that they didn’t use the stage.  But I think that my critique of this one is in the minority, because the judges loved it.  It was good, but it didn’t move me.

Vincent and Amy
Jive
Tony Meredith and Melanie LaPatin

This piece was so high energy and was really quite complicated in the movements.  The thing that I liked about it was that Amy and Vincent made it seem so easy; like we could all get out of bed by doing the Jive.  The Jive is really hard to pull off and seem genuine- but they did that and they did that with an ease about them.

September 26, 2009 I Written By

SYTYCDC Top 14 Choreography Critiques

Karen Kain as the guest judge made me more than happy.  When I was little Ms. Kain and her husband come to my parents house for dinner.  What I said to Canada’s Prima Ballerina will never go away: I looked at her and what she had eaten (which wasn’t a lot for a grown up but was a lot for an 8 year old) and said to her “Wow Ms Kain, for a ballerina you really do eat a lot of food”.  She thought that I was cute (thank God).  Karen Kain has the class and education that if ever SYTYCD needs credibility, her in that seat would be a fais-acomplis. Karen Kain as a young ballerina was someone that I wanted to be like even in the smallest ways. Just watching Ms Kain sit and judge the performances she is so graceful and the epitome of a lady.

Melanie and Cody
Hip-hop
Luther Brown

Melanie killed it.  She hit those steps with such big strides and strentch.  The grinding was compeletely believable, they both went for it- and it was 100% in unison..  The attitudes for Cody and Melanie were completely genuine and real.  I’m liking this couple more and more- and I think that this piece is really going to go far to prove that Cody isn’t all soft but that he has some angles and hardness to him.

Gustavo Vargas
Vincent and Amy
Cha Cha

Usually the back story to a Cha Cha throws me off from just enjoying the style- that wasn’t the case this time.  I thought that this sort of ‘bourgeois’ style Cha Cha was lovely.  Something ball room can take itself to seriously and this piece really broke out of the mold.  The lifts were never ending and every one became more and more complicated.  The chemistry between Vincent and Amy comes right through your TV set.  That’s not something that you can learn and certainly can’t fake it.  The one thing I would mention is that because Amy was dancing bare foot-she really needs to watch her feet as she isn’t wearing heels that force your foot to point.  But other than that it’s the first Cha Cha that I thought was light and fun.


Everett and Tara Jean
Sho-Tyme

House

I don’t know the first thing about House- so this critique is going to be short and sweet.  This is the first Sho-Tyme piece that I liked..  Actually I totally loved it.  The rythym was fantastic and the dancers had to work their tails off but made it look fun, bouncy and so easy to perform.  Both Everett and Tara Jean were totally ‘there’ for each other even though they weren’t physically connected-it felt like they were.  They were almost totally in sync the whole piece and because of that it became totally infectious to watch- hence the audience clapping and getting into it.


Kim and Emanuel
Contemporary
Stacey Tookey

Ok..  I’d like to make a suggestion to the Canadian dance community- Emanuel belongs in ballet or at least contemporary.  It’s where his body can really be shown for what it is.  The width of their movements were in unison with the songs tempo which went quietly got stronger and stronger.  This piece was quiet in it’s beauty and strength.  Kim became a completely different dancer- she wasn’t brash and in your face, she was quiet and reserved and just simply lovely.

Jayme Rae and Daniel
Disco
Melissa Williams

This piece was ok for me.  Just ok though.  The dancers were just mimicking the moves that they were taught but never got into the spirit or pocket of the music.  They were dancers on top of the piece and not into the music.  These two might be in trouble with this one-despite the strength of that last lift.
Natalie and Danny
West Coast Swing
Benji

I really wanted to be able to gush about this piece.  I loved the heart that was revealed on Danny’s chest- but the missing bit on Natalie was really distracting.  Benji’s creativity was evident in this piece- but if you pull the West Coast Swing card then make it in that style.  The piece that they performed was interesting- but there weren’t enough Swing elements in it.  I thought it was a good piece but I’m not going to rave about it.

Austin and Corynne
jazz
(Old Hollywood style)
John Byrne

For me this was the best piece of the night.  I would go as far as too say one of my favorite pieces of the entire season.  I thought that it was totally believable and it almost made me like the song- almost.  Austin and Corynne are just perfect together.  And those lifts-forget about it.  I was blown away- the physically on both their parts is really hard to put into words.  The gun may have gone on for a little long- like maybe her fingers made into a gun might have been better and perhaps less offensive.  I think that Austin (and maybe Corynne) will go into the Top 10. Then Top 6, Top 4….

September 15, 2009 I Written By

SYTYCD Canada Top 16 Choreography Critiques

SYTYCD Top 16

The first piece that we saw was Emanuel and Kim’s Jazz routine by Blake.  My opinion initially was that i agreed with the judges when they talked about how sexy the piece was.  To the point that the technical aspects took a back seat.  They have really good chemistry together but I don’t think that it’s as organic as some of the other partners.  I loved the music selection and the sort of dirty magician story with Kim being the girl in the box.  Kim is no joke-she wore those boots and it could have easily gone the other way.  I can’t help but compare it to the Jayme Rae and Daniel piece in terms of sex appeal- I thought that Blakes choreography was more blatant and in your face than it really needed to be.  The dancers themselves were fantastic.  Emanuel is still showing his power and Kim is still showing her beautiful lines.

Next up were Vincent and Amy doing Hip Hop with a new choreographer Flii Stylz.  I really wasn’t sure that this piece would be good, but it progressively got better and better through the piece.  I think that once Amy did the bit where she was lip-syncing is when they really hit their stride.  The movements still could have hit harder and bigger but for what it was they did really well.  Although I don’t think that it will be a piece that is easily remembered, which is a shame.

Corynne and Austin who were a new pair together got a little luck and not only pulled Contemporary but they got Stacey Tookey on top of it.  I’ve always thought that Austin could go far if only he found the right partner and I think that third times a charm.  Corynne and Austin have an instant connection and trust with each other.  This piece was heavy with one dancer moving their body and the other reacting to it.  Sometimes when dancers attempt that- it can really show awkwardness between the dancers- that wasn’t the case with this piece.  I thought that they danced it with emotion and honesty.  Austin still got his tricks in but Corynne is such a strong dancer in her own right that it didn’t get distracting.  Their synchronization was perfect for the whole piece and I always got the feeling that they were constantly aware of each other the whole time.  That isn’t a small feat either.  It was also the first piece where the dancers were in the pocket of the music, I haven’t seen that enough so far this season.  After 3 episodes I think that we’ve found our first stand out couple.  Mark my words- they will go far in this competition.

The Mambo was the dance that Cody and Melanie chose with Gustavo Vargas as the choreographer.  This piece was cute.  I don’t really know what else to say about it.  It wasn’t particularly sexy, but it was cute.  Not to say that that is a bad thing either- I just think that somehow Cody needs to convince the audience that he can be more of an Alpha Male when needed.  The Mambo as a style is great and not a discipline that we see all the time either.  So I liked this piece- was it technically amazing?  Not really.  But it wasn’t a technical disaster either.  It was a fun and light mambo.

Oh God.  It was bound to happen.  The Kiss Of Death- Quickstep.  Everett and TaraJean were the dancers that chose it and lucked out with the choreographer of Pierre Allaire.  Not to say that just because a partnership chooses a more difficult dance that they should be given any consessions but I was relieved to hear it when Mr Allaire stated that there wasn’t a story it was just dancing for dance sake.  The Quick Step is enough on its own- without some complicated back story.  Tara-Jean has legs that could take us all into next week and Everett isn’t a slouch either.  Considering the amount of rehearsal time the dancers are allowed and the fact that you essentially have to learn how to float and glide on stage- they did a great job.  The lifts were beautiful and difficult.  I think that this could have totally fallen but they both really committed to the style.

The amazing Luther Brown got his turn with Jayme Rae and Daniel in a hip hop piece.  Holy sexual chemistry.  Let’s just get that out of the way.  Daniel dancing without a shirt also doesn’t hurt the situation.  But from the second and I know THE SECOND that Jayme Rae stepped on stage she was committed to that piece.  From start to finish it was so sexy.  They could have been wearing snow suits and it would have been just as sexy.  The biggest difference between this hip-hop piece and the first one was that the technique didn’t take a back burner to the smoldering chemistry between the two.  They were raw in the moves and they both danced the piece really really well.  I think that we have another couple that have stepped up their game.  Daniel is a beautiful dancer and so quietly powerful.  I’d like to see them do a pas de deux at some point, because they would be amazing in a classic style of dance.

I was thrilled to see Benji Schwimmer as the choreographer for Nicolas and JennaLynn with the Hustle.  I love Benji’s style and choreography in general because he has an ability to modernize any style of dance.  That was the case once again with this Hustle.  The Hustle is a little bit of a couple styles: Salsa foot work and some Swing influence put that to some 1970s pop and you have the Hustle.  I thought that piece overall was good- not great.  It was quite uneven and I didn’t think that the dancers believed in themselves enough to really blow it out of the water.  I like the couple though- I think that they make each other stronger together and the partnering together was top notch.

Finally Natalie and Danny brought out a Rumba to end the evening.  Gustavo Vargas was the King of Latin tonight and as a choreographer he really lived up to the title.  I like his style and interpretation of music.  I liked this piece more than I usually like the Rumba.  For some reason I have a hard time with the rhythm behind the Rumba but I liked this piece.  I didn’t agree with the judges when they said that Danny needs to believe in his talent more- I got the opposite feeling from him.  Both Natalie and Danny were great in this piece- however on the heels of that someone should suggest to Natalie to keep her tongue in her mouth.  That seems like a weird critique- but she’s been doing it the whole time and it’s distracting.

That’s it!  Top 14 next week!

September 8, 2009 I Written By

SYTYCDC Top 18 Choreography

I know that I am not writing about rants or raves, but seriously what was Leah wearing on Tuesday night.  The 80s are over Leah try and come to grips with that.

Our first couple was Melanie M and Cody.  Just as I was afraid of last week with Cody that he would have to dance something that needs him to be dirty.  The more i look at him, the more I think that he is just so darling and looks like a Disney character.  They pulled Krump out of the hat.  Lord help us.  Cody needed to be hitting the steps hard, and seem 10 feet tall with about 50 pounds on him.  He mostly pulled it off, actually did better than I imagined he would.  Give him time and he will only improve.  Melanie M on the other hand was amazing.  So much power out of the little thing.  She believed in what she was doing, and made me a believer too.  I will remember her next week for sure.  Great piece by Lil’ C.  Just could have used a little more ‘buck-ness’ – but really what couldn’t used a little more buck?

Tara Jean and Everett were up next.  It’s not a great sign when I can’t really remember them from the week before.  Not good at all.  They pulled Salsa out of the hat, and were matched with Tony and Melanie.  In the interviews leading up to the piece, Tara Jean reminded me of a varsity cheerleader and Everett was on the football team.  That all changed when that music started.  The cheerleader turned into Shakira Canadian-style.  She was dirty and sexy and Everett was a great partner.  It is sometimes hard for the men to stand out when their partners are dressed in almost nothing and shaking their hips like Tara Jean was.  I predict that these 2 will go far, and that I won’t ever forget them again.

I remember watching the Figure Skating at the part Olympics and watching Emanuel perform.  He made me nervous every time because it didn’t seem like him and ice were the right combination.  When him and Kim chose Theatre with Sean Cheesman- I thought it would be a match made in Heaven-and I was right.  Emanuel is a big man and this piece proved once and for all that his brute strength is no joke.  He was catching Kim in these jumps and lifts that I kept screaming at because if his timing was even a little off or if he wasn’t as strong as he is that piece wouldn’t have worked.  Emanuel’s face was a little twisted at the very beginning, but very soon after he got into it.  Kim was great, she seemed at home with the movement and I think that there is something really interesting with the partnership. Emanuel has a commanding presence onstage- so everyone better be watching.

Next to dance was Amy and Vincent with a contemporary piece by Blake.  I wrote down before I saw the rehearsal footage that “They will get eaten by Blake”.  Blake is no joke- he is intense and demands the most out of his dancers.  He also has an organic element to his movement that you are either capable of doing or you aren’t.  I didn’t think that Vincent would be convincing in his mean-ness..  Was I ever wrong.  The make up, the costumes and the music where dead-on and the only thing better than all of that was the dancing.  I didn’t really get the story that Blake told about an obsessed guy because to me it was more like a possessed man and a doll.  Amy was beautiful in her awkward poses and limp arms, she really let Vincent tear her apart and be super creepy.  I loved this piece.

There aren’t very many types of choreography that I don’t know at least some small detail about.  Dancehall is one of them.  After watching Jaeblazes’ choreography with Daniel and Jayme-Rae, I now what to move to Jamaica and learn how to do ‘dancehall‘.  It’s a combination of hip-hop and Latin movement.  I felt like he were all witnessing the foreplay between the 2 dancers.  It was hard hitting, sexy, and really dirty.  I love love love Dancehall.  Plus hearing Luther say funny words is also entertaining.

Most types of dance can be critiqued on a sliding scale: the Paso Doble isn’t one of those dances.  For me whenever I watch the Paso- it either rocks me with it’s intensity or it falls flat.  These piece with Anthony and Corynne was great.  Anthony for being someone that isn’t really tall danced like he was 10 feet tall.  Unfortunately halfway through they collided together, I blame the layers of her skirt not the dancers themselves.  They should be praised for managing to pick it up after that fall- especially with the Paso, because it’s a dance that builds and builds its intensity as it progresses.

I was disappointed that ShoTyme was the choreographer of the hip-hop routine with Nicolas and Jenna Lynn especially seeing as Little C was in the audience.  Nicolas being a B-Boy pulled out his tricks while Jenna Lynn didn’t.  She really needed to keep up and I think that for the most part she did- sadly I’m just not a huge fan of ShoTyme’s style.  I think that Nicolas will be in the competition for a while yet- he is a really strong performer.  I thought that the piece was good- but it’s certainly not a memorable one.

After watching the next piece I started to think that people’s interpretations of certain styles were getting quite loose.  The fact that Natalie and Danny chose Jazz and then danced the piece they did by Melissa Williams I have no idea how that could be considered anything other than a contemporary piece, even to say it was a lyrical jazz piece would be a serious stretch.  Regardless of what the actual style was- I liked this piece.  I can’t say anything really good about it though.  I felt like the choreography was forced and was in attempt to set up some of the lifts and catches that Natalie and Danny did.  That being said- they danced it well, I think that if that piece was not danced by those 2 it would have been a total train wreck.

Final dance of the night- Austin and Melanie with the Smooth Waltz.  I know the least about American Ballroom styles, but I know that I like the waltz.  It’s so classic, and fluid and it’s a style that isn’t in a rush.  Plus I love Austin and Melanie.  The opening of the piece by Danny Quilliam was intense with the fans her Melanie’s costume but I ate it right up.  Austin has never done this style before, and he was coming really really close to nailing it. His rise and fall was effortless as was his partnering of Melanie.  Sadly Melanie didn’t do very well- especially seeing as she a Latin Ballroom girl.  She should have knocked this out of the park and she fell flat.  I think that she will be in danger tonight.  Despite all of that, I loved the drama of the piece and the choreography was really original and powerful.

That’s it!  See you next week..

September 2, 2009 I Written By